[Intro: Spoken Word]
AHHHH!
Afro-drama goes out to ontological skeptology and has, and always will, assert the existence of a collective unconscious. It transcends historical time

Its purpose and effectiveness rely upon regression. (regres- regres-)

Go back to the origin of the problem (probl- probl-) and the power of lineage
Regardless of a belief in past lives, epigenic inheritance - or reincarnation, both the unconscious and the spirit of our ancestors will almost always present a past life story when invited in the right way; the right way always necessitating a sincere greeting off top

The issue must be raised upon how conventional psychotherapy deals with the black body and soul. Let us call that the cathartic versus the cognitive. Not for polemic reasons, because they radically affect how we perceive with regard to therapy and psychoanalysis in general. The most prevalent consequence of these two differing views is that when we aim for cognitive understanding, the body is neglected. (The body is...)
By contrast, when catharsis is emphasized, the body remains in focus, for it is the body which experiences physical violence and emotion most vividly

It is the limbic system of the brain and sensor motor pathways that are responsible for storing traumatic memory. Half the verbal regions of the cortexes is in normal memory. The Afro-drama's unit of measure is instead ’necromemory' - to recollect traces of the obliterated. The disappearance, the nothing

Consider a birthmark. A sole record of a forgone atrocity that could lead ancestors to the proper site of damage. The body is a cartographic document, rather a mapping of the burial grounds. It does not matter whether or not this event lacks clarity or complexity, only that it effectively takes place in the perpetual universe of the guardians of us people

At a paticular [?] on the [?], an imperfect trait can act as a night star. As staying guiding spirits into a nexus of an elapsed world

Seen from a historical perspective, this kind of emphasis on the reliving of traumatic events, and their treatment through every active and cathartic method sparks the very approach Freud abandons 90 years ago in favor of his ego as defense mechanisms

The Afro-drama suggests this - that there are all kinds of unfinished dialogs, monologs and conversations going on in different, and often opposing, sections of our parts and bodies. The complexities are speaking... if we're prepared to give them an ear

We are the embodiment of the totality of our collective lives, deaths and in-betweens

The Afro-projection takes these concepts and spontaneous dramatizations a step further in expression of our astral/ancestral ability to view through different timelines and dimensions