Victor Hugo
491 songs with lyrics
Popular songs
- 1Playground
- 2Cheiro de Balada (Ao Vivo)
- 351 Dias
- 410 Cascos
- 5Do Cabelo ao Pé (Ao Vivo)
- 6Facas (Ao Vivo)
- 7Perceptível
- 8Superstição (Coisa de Deus) [Ao Vivo]
- 9Cai na Minha Cama
- 10Se Amasse Ele
- 11Transtorno (Ao Vivo)
- 12Eu Tô Aqui Largado (Ao Vivo)
- 13Se Entrega
- 14Tinha Que Ser Eu
- 15Branca de Neve (Ao Vivo)
- 16Não Sei Negar Amor (Ao Vivo)
- 17Não Dura uma Garrafa (Ao Vivo)
- 18Vamos Disputar (Ao Vivo)
- 19Melhor Terminar (Ao Vivo)
All songs 491
- 10 Cascos
- 51 Dias
- Adieux de l’hôtesse arabe
- Amour! Amour!
- Après l’hiver
- Ascension
- At Dawn Tomorrow
- Atentado Pessoal
- Aubade
- Automaticamente (Ao Vivo)
- Autrefois
- Bebida Com Saudade (Ao Vivo)
- Beijo de Autoajuda (Ao Vivo)
- Belle (Notre Dame De Paris)
- Bom e Bêbado (Ao Vivo)
- Booz endormi
- Branca de Neve (Ao Vivo)
- Briga Feia / Mais Amor e Menos Drama (Ao Vivo)
- Cai na Minha Cama
- Calafrio (Ao Vivo)
- Ce que dit la bouche d’ombre
- Ceux qui vivent, ce sont ceux qui luttent
- Chanson (L’âme en fleur)
- Chanson de Maglia
- Chanson de Maglia
- Chanson du spectre
- Chanson d’amour
- Chanson en canot
- Chanson à boire
- Chant du bol de punch
- Cheiro de Balada (Ao Vivo)
- Clair de lune
- Dans les ruines d’une abbaye
- Demain dès l’aube
- Demain dès l’aube
- Demain, Des Laube...
- Demain, dès l’aube
- Demain, dès l’aube...
- DESCASO
- Discours de Gwynplaine à la Chambre des Lords (L’homme qui rit - Extrait - Chapitre VII)
- Do Cabelo ao Pé (Ao Vivo)
- Détruire la misère - Discours à l’Assemblée nationale législative
- Epistolí tou Víktoros Oungó ston Diethní Síndesmo yia tin Iríni kai tin Elefthería sto Loungáno (Ελληνική μετάφραση)
- Erwartung
- Et nox facta est
- Eu Tô Aqui Largado (Ao Vivo)
- Extase
- Extase
- Extase
- Fable ou Histoire
- Facas (Ao Vivo)
- Facas (cover)
- France à l’heure où tu te prosternes
- Freestyle hardcore
- Gastibelza (l’homme à la carabine)
- Gilliatt Fights the Devil-Fish
- Hier au soir
- Hier, le vent du soir
- Hymne à la France
- Je prendrai par la main
- Je respire où tu palpites
- La captive orientale
- La captive, Op. 12
- La chanson du fou
- La coccinelle
- La fiancée du timbalier
- La Fonction du poète
- La légende de la nonne
- La légende de la nonne
- La tombe et la rose
- La tombe et la rose
- Largado às Traças (Ao Vivo)
- Le château de l’Arbrelles
- Le crépuscule
- Le papillon et la fleur
- Le voile
- Les Djinns, Op. 12
- Les djinns, Op. 35
- Les femmes sont sur la terre
- Les Miserables Medley
- Les mères, op. 45
- Les trois chansons
- Les Tronçons du serpent
- Les Tuileries
- Lettre de Victor Hugo aux membres du Congrès pour la Paix, à Lugano (original text in French)
- Libera Ela / Ranking / Bebi Liguei
- Liberté, égalité, fraternité
- Lied aus Ruy Blas
- Ligação de Emergência (Ao Vivo)
- L’absent
- L’attente
- L’attente
- L’aube naît, et ta porte est close!
- L’aurore
- L’Aurore
- Mai
- Mais uma Dose de Você (Insônia) [Ao Vivo]
- Malédiction
- Marcha de Núpcias
- Mazeppa
- Melancholia
- Melhor Terminar (Ao Vivo)
- Modo Sofrimento (Ao Vivo)
- Nourmahal‑la‑Rousse
- Não Dura uma Garrafa (Ao Vivo)
- Não Sei Negar Amor (Ao Vivo)
- O komm im Traum
- O ma charmante
- Oh! Quand je dors
- Oh, quand je dors
- Part IV, Book X, Chap I: “The Surface of the Question”
- Part IV, Book X, Chap II: “The Root of the Matter”
- Part IV, Book X, Chap III: “A Burial, an Occasion to be Born Again”
- Part IV, Book X, Chap IV: “The Ebullitions of Former Days”
- Part IV, Book X, Chap V: “Originality of Paris”
- Passez, passez toujours
- Patria
- Perceptível
- Peuple impopulaire
- Playground
- Préface
- Puisque j’ai mis ma lèvre
- Puisqu’ici-bas
- Puisqu’ici‑bas toute âme
- Quand la nuit n’est pas étoilée
- Quand tu chantes, bercée
- Republican Exile
- Roses et papillons
- Rêve d’amour
- Rêverie
- Rêverie
- Sara la baigneuse, Op. 11
- Saudadezinha (Ao Vivo)
- Scars On My Heart
- Se Amasse Ele
- Se Entrega
- Si mes vers avaient des ailes
- Si tu veux
- Si vous n’avez rien à me dire
- Si vous n’avez rien à me dire
- Soirée en mer
- Soleil Couchants
- Sommation irrespectueuse
- Souvenir
- Superstição (Coisa de Deus) [Ao Vivo]
- Sur une barricade, au milieu des pavés
- Sérénade
- Sérénade de Ruy Blas
- S’il est un charmant gazon
- The Hunchback of Notre Dame, Vol I (Chap. 1.1)
- The Hunchback of Notre Dame, Vol I (Chap. 1.2)
- The Hunchback of Notre Dame, Vol I (Chap. 1.3)
- The Hunchback of Notre Dame, Vol I (Chap. 1.4)
- The Hunchback of Notre Dame, Vol I (Chap. 1.5)
- The Hunchback of Notre Dame, Vol I (Chap. 1.6)
- The Hunchback of Notre Dame, Vol I (Chap. 2.1)
- The Hunchback of Notre Dame, Vol I (Chap. 2.2)
- The Hunchback of Notre Dame, Vol I (Chap. 2.3)
- The Hunchback of Notre Dame, Vol I (Chap. 2.4)
- The Hunchback of Notre Dame, Vol I (Chap. 2.5)
- The Hunchback of Notre Dame, Vol I (Chap. 2.6)
- The Hunchback of Notre Dame, Vol I (Chap. 2.7)
- The Hunchback of Notre Dame, Vol I (Chap. 3.1)
- The Hunchback of Notre Dame, Vol I (Chap. 3.2)
- The Hunchback of Notre Dame, Vol I (Chap. 4.1)
- The Hunchback of Notre Dame, Vol I (Chap. 4.2)
- The Hunchback of Notre Dame, Vol I (Chap. 4.3)
- The Hunchback of Notre Dame, Vol I (Chap. 4.4)
- The Hunchback of Notre Dame, Vol I (Chap. 4.5)
- The Hunchback of Notre Dame, Vol I (Chap. 4.6)
- The Hunchback of Notre Dame, Vol I (Chap. 5.1)
- The Hunchback of Notre Dame, Vol I (Chap. 5.2)
- The Hunchback of Notre Dame, Vol I (Chap. 6.1)
- The Hunchback of Notre Dame, Vol I (Chap. 6.2)
- The Hunchback of Notre Dame, Vol I (Chap. 6.3)
- The Hunchback of Notre Dame, Vol I (Chap. 6.4)
- The Hunchback of Notre Dame, Vol I (Chap. 6.5)
- The Hunchback of Notre Dame, Vol II (Chap. 1.1)
- The Hunchback of Notre Dame, Vol II (Chap. 1.2)
- The Hunchback of Notre Dame, Vol II (Chap. 1.3)
- The Hunchback of Notre Dame, Vol II (Chap. 1.4)
- The Hunchback of Notre Dame, Vol II (Chap. 1.5)
- The Hunchback of Notre Dame, Vol II (Chap. 1.6)
- The Hunchback of Notre Dame, Vol II (Chap. 1.7)
- The Hunchback of Notre Dame, Vol II (Chap. 1.8)
- The Hunchback of Notre Dame, Vol II (Chap. 2.1)
- The Hunchback of Notre Dame, Vol II (Chap. 2.2)
- The Hunchback of Notre Dame, Vol II (Chap. 2.3)
- The Hunchback of Notre Dame, Vol II (Chap. 2.4)
- The Hunchback of Notre Dame, Vol II (Chap. 2.5)
- The Hunchback of Notre Dame, Vol II (Chap. 2.6)
- The Hunchback of Notre Dame, Vol II (Chap. 3.1)
- The Hunchback of Notre Dame, Vol II (Chap. 3.2)
- The Hunchback of Notre Dame, Vol II (Chap. 3.3)
- The Hunchback of Notre Dame, Vol II (Chap. 3.4)
- The Hunchback of Notre Dame, Vol II (Chap. 3.5)
- The Hunchback of Notre Dame, Vol II (Chap. 3.6)
- The Hunchback of Notre Dame, Vol II (Chap. 4.1)
- The Hunchback of Notre Dame, Vol II (Chap. 4.2)
- The Hunchback of Notre Dame, Vol II (Chap. 4.3)
- The Hunchback of Notre Dame, Vol II (Chap. 4.4)
- The Hunchback of Notre Dame, Vol II (Chap. 4.5)
- The Hunchback of Notre Dame, Vol II (Chap. 4.6)
- The Hunchback of Notre Dame, Vol II (Chap. 4.7)
- The Hunchback of Notre Dame, Vol II (Chap. 5.1)
- The Hunchback of Notre Dame, Vol II (Chap. 5.2)
- The Hunchback of Notre Dame, Vol II (Chap. 5.3)
- The Hunchback of Notre Dame, Vol II (Chap. 5.4)
- Tinha Que Ser Eu
- Tomorrow, at Dawn
- Tough Love (Freestyle)
- Transtorno (Ao Vivo)
- Tristesse
- Un jour je vis...
- Une flûte invisible
- Vamos Disputar (Ao Vivo)
- Vieille Chanson du Jeune Temps
- Viens! une flûte invisible
- Vol. I, Book I, Chap. I: “M. Myriel”
- Vol. I, Book I, Chap. II: “M. Myriel Becomes M. Welcome”
- Vol. I, Book I, Chap. III: “A Hard Bishopric for a Good Bishop”
- Vol. I, Book I, Chap. IV: “Works Corresponding to Words”
- Vol. I, Book I, Chap. IX: “The Brother as Depicted by the Sister”
- Vol. I, Book I, Chap. V: “Monseigneur Bienvenu Made his Cassocks Last too Long”
- Vol. I, Book I, Chap. VI: “Who Guarded His House for Him”
- Vol. I, Book I, Chap. VII: “Cravatte”
- Vol. I, Book I, Chap. VIII: “Philosophy After Drinking”
- Vol. I, Book I, Chap. X: “The Bishop in the Presence of an Unknown Light”
- Vol. I, Book I, Chap. XI: “A Restriction”
- Vol. I, Book I, Chap. XII: “The Solitude of Monseigneur Welcome”
- Vol. I, Book I, Chap. XIII: “What He Believed”
- Vol. I, Book I, Chap. XIV: “What He Thought”
- Vol. I, Book II, Chap. I: “The Evening of a Day of Walking”
- Vol. I, Book II, Chap. II: “Prudence Counselled to Wisdom”
- Vol. I, Book II, Chap. III: “The Heroism of Passive Obedience”
- Vol. I, Book II, Chap. IV: “Details Concerning the Cheese-Dairies of Pontarlier”
- Vol. I, Book II, Chap. IX: “New Troubles”
- Vol. I, Book II, Chap. V: “Tranquility”
- Vol. I, Book II, Chap. VI: “Jean Valjean”
- Vol. I, Book II, Chap. VII: “The Interior of Despair”
- Vol. I, Book II, Chap. VIII: “Billows and Shadows”
- Vol. I, Book II, Chap. X: “The Man Aroused”
- Vol. I, Book II, Chap. XI: “What He Does”
- Vol. I, Book II, Chap. XII: “The Bishop Works”
- Vol. I, Book II, Chap. XIII: “Little Gervais”
- Vol. I, Book III, Chap. I: “The Year 1817”
- Vol. I, Book III, Chap. II: “A Double Quartette”
- Vol. I, Book III, Chap. III: “Four and Four”
- Vol. I, Book III, Chap. IV: “Tholomyes is So Merry That He Sings a Spanish Ditty”
- Vol. I, Book III, Chap. IX: “A Merry End to Mirth”
- Vol. I, Book III, Chap. V: “At Bombarda’s”
- Vol. I, Book III, Chap. VI: “A Chapter In Which They Adore Each Other”
- Vol. I, Book III, Chap. VII: “The Wisdom of Tholomyes”
- Vol. I, Book III, Chap. VIII: “The Death of a Horse”
- Vol. I, Book IV, Chap. I: “Master Gorbeau”
- Vol. I, Book IV, Chap. I: “One Mother Meets Another Mother”
- Vol. I, Book IV, Chap. II: “First Sketch of Two Unpreposessing Figures”
- Vol. I, Book IV, Chap. III: “The Lark”
- Vol. I, Book V, Chap. I: “The History of A Progress in Black Glass Trinkets”
- Vol. I, Book V, Chap. II: “Madeleine”
- Vol. I, Book V, Chap. III: “Sums Deposited With Laffitte”
- Vol. I, Book V, Chap. IV: “M. Madeleine in Mourning”
- Vol. I, Book V, Chap. IX: “Madame Victurnien’s Success”
- Vol. I, Book V, Chap. V: “Vague Flashes on the Horizon”
- Vol. I, Book V, Chap. VI: “Father Fauchelevent”
- Vol. I, Book V, Chap. VII: “Fauchelevent Becomes a Gardener in Paris”
- Vol. I, Book V, Chap. VIII: “Madame Victurnien Expends Thirty Francs on Morality”
- Vol. I, Book V, Chap. X: “Result of the Success”
- Vol. I, Book V, Chap. XI: “Christus Nos Liberavit”
- Vol. I, Book V, Chap. XII: “M. Bamatabois’s Inactivity”
- Vol. I, Book V, Chap. XIII: “The Solution of Some Questions Connected with the Municipal Police”
- Vol. I, Book VI, Chap. II: “How Jean May Become Champ”
- Vol. I, Book VI, Chap. I”The Beginning of Repose”
- Vol. I, Book VII, Chap. I: “Sister Simplice”
- Vol. I, Book VII, Chap. II: “The Perspicacity of Master Scaufflaire”
- Vol. I, Book VII, Chap. III: “A Tempest in a Skull”
- Vol. I, Book VII, Chap. IV: “Forms Assumed By Suffering During Sleep”
- Vol. I, Book VII, Chap. IX: “A Place Where Convictions are in Process of Formation”
- Vol. I, Book VII, Chap. V: “Hindrances”
- Vol. I, Book VII, Chap. VI: “Sister Simplice Put to the Proof”
- Vol. I, Book VII, Chap. VII: “The Traveller on His Arrival Takes Precautions for Departure”
- Vol. I, Book VII, Chap. VIII: “An Entrance by Favor”
- Vol. I, Book VII, Chap. X: “The System of Denials”
- Vol. I, Book VII, Chap. XI: “Champmathieu More and More Astonished”
- Vol. I, Book VIII, Chap. I: “In What Mirror M. Madeleine Contemplates His Hair”
- Vol. I, Book VIII, Chap. II: “Fantine Happy”
- Vol. I, Book VIII, Chap. III: “Javert Satisfied”
- Vol. I, Book VIII, Chap. IV: “Authority Reasserts Its Rights”
- Vol. I, Book VIII, Chap. V: “A Suitable Tomb”
- Vol. II, Book I, Chap. II: “Hougomont”
- Vol. II, Book I, Chap. III: “The Eighteenth of June, 1815”
- Vol. II, Book I, Chap. IV: “A”
- Vol. II, Book I, Chap. IX: “The Unexpected”
- Vol. II, Book I, Chap. V: “The Quid Obscurum of Battles”
- Vol. II, Book I, Chap. VI: “Four O’Clock in the Afternoon”
- Vol. II, Book I, Chap. VII: “Napoleon in a Good Humor”
- Vol. II, Book I, Chap. VIII: “The Emperor Puts a Question to the Guide Lacoste”
- Vol. II, Book I, Chap. X: “The Plateau of Mont-Saint-Jean”
- Vol. II, Book I, Chap. XI: “A Bad Guide to Napoleon; A Good Guide to Bulow”
- Vol. II, Book I, Chap. XII: “The Guard”
- Vol. II, Book I, Chap. XIII: “The Catastrophe”
- Vol. II, Book I, Chap. XIV: “The Last Square”
- Vol. II, Book I, Chap. XIX: “The Battle-Field at Night”
- Vol. II, Book I, Chap. XV: “Cambronne”
- Vol. II, Book I, Chap. XVI: “Quot Libras in Duce?”
- Vol. II, Book I, Chap. XVII: “Is Waterloo to be Considered Good?”
- Vol. II, Book I, Chap. XVIII: “A Recrudescence of Divine Right”
- Vol. II, Book II, Chap. I: “Number 24,601 Becomes Number 9,430”
- Vol. II, Book II, Chap. I: “What is Met With on the Way from Nivelles”
- Vol. II, Book II, Chap. II: “In Which the Reader Will Peruse Two Verses, Which are of the Devil’s Composition, Possibly”
- Vol. II, Book II, Chap. III: “The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to be Thus Broken by a Blow With a Hammer”
- Vol. II, Book III, Chap. I: “The Water Question at Montfermeil”
- Vol. II, Book III, Chap. II: “Two Complete Portraits”
- Vol. II, Book III, Chap. III: “Men Must Have Wine, and Horses Must Have Water”
- Vol. II, Book III, Chap. IV: “Entrance on the Scene of a Doll”
- Vol. II, Book III, Chap. IX: “Thenardier and His Manoeuvres”
- Vol. II, Book III, Chap. V: “The Little One All Alone”
- Vol. II, Book III, Chap. VI: “Which Possibly Proves Boulatruelle’s Intelligence”
- Vol. II, Book III, Chap. VII: “Cosette Side by Side With the Stranger in the Dark”
- Vol. II, Book III, Chap. VIII: “The Unpleasantness of Receiving Into One’s House A Poor Man Who May Be a Rich Man”
- Vol. II, Book III, Chap. X: “He Who Seeks to Better Himself May Render His Situation Worse”
- Vol. II, Book III, Chap. XI: “Number 9,430 Reappears, and Cosette Wins it in the Lottery”
- Vol. II, Book IV, Chap. II: “A Nest for Owl and a Warbler”
- Vol. II, Book IV, Chap. III: “Two Misfortunes Make One Piece of Good Fortune”
- Vol. II, Book IV, Chap. IV: “The Remarks of the Principal Tenant”
- Vol. II, Book IV, Chap. V: “A Five-Franc Piece Falls on the Ground and Produces a Tumult”
- Vol. II, Book V, Chap. I: “The Zigzags of Strategy”
- Vol. II, Book V, Chap. II: “It is Lucky that the Pont D’Austerlitz Bears Carriages”
- Vol. II, Book V, Chap. III: “To Wit, The Plan of Paris in 1727”
- Vol. II, Book V, Chap. IV: “The Gropings of Flight”
- Vol. II, Book V, Chap. IX: “The Man With the Bell”
- Vol. II, Book V, Chap. V: “Which Would Be Impossible With Gas Lanterns”
- Vol. II, Book V, Chap. VI: “The Beginning of an Enigma”
- Vol. II, Book V, Chap. VII: “Continuation of the Enigma”
- Vol. II, Book V, Chap. VIII: “The Enigma Becomes Doubly Mysterious”
- Vol. II, Book V, Chap. X: “Which Explains How Javert Got on the Scent”
- Vol. II, Book VI, Chap. I: “Number 62 Rue Petit-Picpus”
- Vol. II, Book VI, Chap. II: “The Obedience of Martin Verga”
- Vol. II, Book VI, Chap. III: “Austerities”
- Vol. II, Book VI, Chap. IV: “Gayeties”
- Vol. II, Book VI, Chap. IX: “A Century Under a Guimpe”
- Vol. II, Book VI, Chap. V: “Distractions”
- Vol. II, Book VI, Chap. VI: “The Little Convent”
- Vol. II, Book VI, Chap. VII: “Some Silhouettes of This Darkness”
- Vol. II, Book VI, Chap. VIII: “Post Corda Lapides”
- Vol. II, Book VI, Chap. X: “Origin of the Perpetual Adoration”
- Vol. II, Book VI, Chap. XI: “End of the Petit-Picpus”
- Vol. II, Book VII, Chap. I: “The Convent as an Abstract Idea”
- Vol. II, Book VII, Chap. II: “The Convent as an Historical Fact”
- Vol. II, Book VII, Chap. III: “On What Conditions One Can Respect the Past”
- Vol. II, Book VII, Chap. IV: “The Convent From the Point of View of Principles”
- Vol. II, Book VII, Chap. V: “Prayer”
- Vol. II, Book VII, Chap. VI: “The Absolute Goodness of Prayer”
- Vol. II, Book VII, Chap. VII: “Precautions to be Observed in Blame”
- Vol. II, Book VII, Chap. VIII: “Faith, Law”
- Vol. II, Book VIII, Chap. I: “Which Treats of the Manner of Entering a Convent”
- Vol. II, Book VIII, Chap. II: “Fauchelevent in the Presence of a Difficulty”
- Vol. II, Book VIII, Chap. III: “Mother Innocente”
- Vol. II, Book VIII, Chap. IV: “In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo”
- Vol. II, Book VIII, Chap. IX: “Cloistered”
- Vol. II, Book VIII, Chap. V: “It is Not Necessary to be Drunk to be Immortal”
- Vol. II, Book VIII, Chap. VI: “Between Four Planks”
- Vol. II, Book VIII, Chap. VII: “In Which Will be Found the Origin of the Saying: Don’t Lose the Card”
- Vol. II, Book VIII, Chap. VIII: “A Successful Interrogatory”
- Vol. III, Book I, Chap. I: “Parvulus”
- Vol. III, Book I, Chap. II: “Some of his Particular Characteristics”
- Vol. III, Book I, Chap. III: “He is Agreeable”
- Vol. III, Book I, Chap. IV: “He May Be of Use”
- Vol. III, Book I, Chap. IX: “The Old Soul of Gaul”
- Vol. III, Book I, Chap. V: “His Frontiers”
- Vol. III, Book I, Chap. VI: “A Bit of History”
- Vol. III, Book I, Chap. VII: “The Gamin Should Have his Place in the Classifications of India”
- Vol. III, Book I, Chap. VIII: “In Which the Reader Will Find a Charming Saying of the Last King”
- Vol. III, Book I, Chap. X: “Ecce Paris, Ecce Homo”
- Vol. III, Book I, Chap. XI: “To Scoff, To Reign”
- Vol. III, Book I, Chap. XII: “The Future Latent in the People”
- Vol. III, Book I, Chap. XIII: “Little Gavroche”
- Vol. III, Book II, Chap. I: “Ninety Years and Thirty-Two Teeth”
- Vol. III, Book II, Chap. II: “Like Master, Like House”
- Vol. III, Book II, Chap. III: “Luc-Esprit”
- Vol. III, Book II, Chap. IV: “A Centenarian Aspirant”
- Vol. III, Book II, Chap. V: “Basque and Nicolette”
- Vol. III, Book II, Chap. VI: “In Which Magnon and Her Two Children are Seen”
- Vol. III, Book II, Chap. VII: “Rule: Receive No One Except in the Evening”
- Vol. III, Book II, Chap. VIII: “Two Do Not Make a Pair”
- Vol. III, Book III, Chap. I: “An Ancient Salon”
- Vol. III, Book III, Chap. II: “One of the Red Spectres of That Epoch”
- Vol. III, Book III, Chap. III: “Requiescant”
- Vol. III, Book III, Chap. IV: “End of the Brigand”
- Vol. III, Book III, Chap. V: “The Utility of Going to Mass, In Order to Become a Revolutionist”
- Vol. III, Book III, Chap. VI: “The Consequences of Having Met a Warden”
- Vol. III, Book III, Chap. VII: “Some Petticoat”
- Vol. III, Book III, Chap. VIII: “Marble Against Granite”
- Vol. III, Book IV, Chap. I: “A Group which Barely Missed Becoming Historic”
- Vol. III, Book IV, Chap. II: “Blondeau’s Funeral Oration by Bossuet”
- Vol. III, Book IV, Chap. III: “Marius’ Astonishments”
- Vol. III, Book IV, Chap. IV: “Beginning of a Great Malady”
- Vol. III, Book IV, Chap. IV”The Back Room of the Cafe Musain”
- Vol. III, Book IV, Chap. V: “Divers Claps of Thunder fall on Ma’am Bougon”
- Vol. III, Book IV, Chap. V: “Enlargement of Horizon”
- Vol. III, Book IV, Chap. VI: “Res Angusta”
- Vol. III, Book V, Chap. I: “Marius Indigent”
- Vol. III, Book V, Chap. II: “Marius Poor”
- Vol. III, Book V, Chap. III: “Marius Grown Up”
- Vol. III, Book V, Chap. IV: “M. Mabeuf”
- Vol. III, Book V, Chap. V: “Poverty a Good Neighbor for Misery”
- Vol. III, Book V, Chap. VI: “The Substitute”
- Vol. III, Book VI, Chap. I: “The Sobriquet: Mode of Formation of Family Names”
- Vol. III, Book VI, Chap. II: “Lux Facta Est”
- Vol. III, Book VI, Chap. III: “Effect of the Spring”
- Vol. III, Book VI, Chap. IV: “Taken Prisoner”
- Vol. III, Book VI, Chap. IX: “Eclipse”
- Vol. III, Book VI, Chap. VII: “Adventures of the Letter U Delivered Over to Conjectures”
- Vol. III, Book VI, Chap. VIII: “The Veterans Themselves Can Be Happy”
- Vol. III, Book VII, Chap. I: “Mines and Miners”
- Vol. III, Book VII, Chap. II: “The Lowest Depths”
- Vol. III, Book VII, Chap. III: “Babet, Gueulemer, Claquesous, and Monparnasse”
- Vol. III, Book VII, Chap. IV: “Composition of the Troupe”
- Vol. III, Book VIII, Chap IV: “A Rose in Misery”
- Vol. III, Book VIII, Chap. I: “Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap”
- Vol. III, Book VIII, Chap. II: “Treasure Trove”
- Vol. III, Book VIII, Chap. III: “Quadrifrons”
- Vol. III, Book VIII, Chap. IX: “Jondrette Comes Near Weeping”
- Vol. III, Book VIII, Chap. V: “A Providential Peep-Hole”
- Vol. III, Book VIII, Chap. VI: “The Wild Man in his Lair”
- Vol. III, Book VIII, Chap. VII: “Strategy and Tactics”
- Vol. III, Book VIII, Chap. VIII: “The Ray of Light in the Hovel”
- Vol. III, Book VIII, Chap. X: “Tariff of Licensed Cabs: Two Francs an Hour”
- Vol. III, Book VIII, Chap. XI: “Offers of Service from Misery to Wretchedness”
- Vol. III, Book VIII, Chap. XII: “The Use Made of M. LeBlanc’s Five-Franc Piece”
- Vol. III, Book VIII, Chap. XIII: “Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster”
- Vol. III, Book VIII, Chap. XIV: “In Which a Police Agent Bestows Two Fistfuls on a Lawyer”
- Vol. III, Book VIII, Chap. XIX: “Occupying One’s Self with Obscure Depths”
- Vol. III, Book VIII, Chap. XV: “Jondrette Makes His Purchases”
- Vol. III, Book VIII, Chap. XVI: “In Which Will be Found the Words to an English Air Which was in Fashion in 1832”
- Vol. III, Book VIII, Chap. XVII: “The Use Made of Marius’ Five-Franc Piece”
- Vol. III, Book VIII, Chap. XVIII: “Marius’ Two Chairs From a Vis-a-Vis”
- Vol. III, Book VIII, Chap. XX: “The Trap”
- Vol. III, Book VIII, Chap. XXI: “One Should Always Begin by Arresting the Victims”
- Vol. III, Book VIII, Chap. XXII: “The Little One Who Was Crying in Volume Two”
- Vol. IV , Book VIII, Chap. IV: “A Cab Runs in English and Barks in Slang”
- Vol. IV, Book I, Chap. I: “Well Cut”
- Vol. IV, Book I, Chap. II: “Badly Sewed”
- Vol. IV, Book I, Chap. III: “Louis Philippe”
- Vol. IV, Book I, Chap. IV: “Cracks Beneath the Foundation”
- Vol. IV, Book I, Chap. V: “Facts Whence History Springs and Which History Ignores”
- Vol. IV, Book I, Chap. VI: “Enjolras and his Lieutenants”
- Vol. IV, Book II, Chap. I: “The Lark’s Meadow”
- Vol. IV, Book II, Chap. II: “Embryonic Formation of Crimes in the Incubation of Prisons”
- Vol. IV, Book II, Chap. IV: “An Apparition to Marius”
- Vol. IV, Book III, Chap. I: “The House With a Secret”
- Vol. IV, Book III, Chap. II: “Jean Valjean as a National Guard”
- Vol. IV, Book III, Chap. III: “Foliis Ac Frondibus”
- Vol. IV, Book III, Chap. IV: “Change of Gate”
- Vol. IV, Book III, Chap. V: “The Rose Perceives That it is an Engine of War”
- Vol. IV, Book III, Chap. VI: “The Battle Begun”
- Vol. IV, Book III, Chap. VII: “To One Sadness Oppose a Sadness and a Half”
- Vol. IV, Book III, Chap. VIII: “The Chain Gang”
- Vol. IV, Book IV, Chap. I: “A Wound Without, Healing Within”
- Vol. IV, Book IV, Chap. II: “Mother Plutarque Finds No Difficulty in Explaining a Phenomenon”
- Vol. IV, Book V, Chap. I: “Solitude and the Barracks Combined”
- Vol. IV, Book V, Chap. II: “Cosette’s Apprehensions”
- Vol. IV, Book V, Chap. II: “In Which Little Gavroche Extracts Profit from Napoleon the Great”
- Vol. IV, Book V, Chap. III: “Enriched with Commentaries by Toussaint”
- Vol. IV, Book V, Chap. III: “The Vicissitudes of Flight”
- Vol. IV, Book V, Chap. IV: “A Heart Beneath a Stone”
- Vol. IV, Book V, Chap. V: “Cosette After the Letter”
- Vol. IV, Book V, Chap. VI: “Old People are Made to Go Out Opportunely”
- Vol. IV, Book VI, Chap. I: “The Malicious Playfulness of the Wind”
- Vol. IV, Book VII, Chap. I: “Origin”
- Vol. IV, Book VII, Chap. II: “Roots”
- Vol. IV, Book VII, Chap. III: “Slang Which Weeps and Slang Which Laughs”
- Vol. IV, Book VII, Chap. IV: “The Two Duties: To Watch and to Hope”
- Vol. IV, Book VIII, Chap. II: “The Bewilderment of Perfect Happiness”
- Vol. IV, Book VIII, Chap. III: “Apparition to Father Mabeuf”
- Vol. IV, Book VIII, Chap. III: “The Beginning of Shadow”
- Vol. IV, Book VIII, Chap. V: “Things of the Night”
- Vol. IV, Book VIII, Chap. VI: “Marius Becomes Practical Once More To The Extent of Giving Cosette His Address”
- Vol. IV, Book VIII, Chap. VII: “The Old Heart And The Young Heart In The Presence Of Each Other”
- Vol. VI, Book VIII, Chap. I: “Full Light”
- Volume IV, Book IX, Chap I: ”Jean Valjean:
- Volume IV, Book IX, Chap II: “Marius”
- Volume IV, Book IX, Chap III: “M. Mabeuf”
- Vœu
- Zé Ruela (Ao Vivo)
- À cette terre
- À cette terre
- À ma fille
- À Madame la générale Lucotte
- Églogue
- Ô ma charmante