We're rolling. "Transition." Take 1. Take 1

One, two, three, two, three . .

FZ: Another one

We're rolling. Take 2. 2

Yeah, when we get through that, we do the whole thing again

Rolling. Take 2

One . . . two . .

FZ: Marvelous introduction

We're rolling. Take 3. 3

One, two, three, two, three . .

We're rolling. 4

FZ: Ian, might you play the other [...]

[...] we're rolling the continuation from the old 6. "Transition." Take 6
One, two, three, two, two . .

FZ: Again, please

We're rolling. Take 7. 7

One, two

Take 8

Attention [...]

FZ: Girl writes up, girl writes down

Rolling. Take 8

[...]

One, two, three, two, two . .

John Guerin: We got it, Frank
FZ: Good. I like that roll thing that you do at the end of the intro. It sounds good, don't destroy it
John Guerin: Okay

Take 10
John Guerin: Oh, I just killed— It's the first time I ever killed a fly with my brushes, man
You don't kill it, it's moving, man
John Guerin: Oh. Got it
Right
John Guerin: Okay
FZ: Only one?
John Guerin: Right

We're rolling. Take 10

One, two, three, two, two . .

FZ: Again

This would be Take 11. 11

One, two . .

This would be 12 1/2

One, two, three, two, two . .

FZ: Could you start again, please. The juncture between the introduction and the first downbeat of the melody was just a little lumpy, you know
John Guerin: Gravy
FZ: Let— Yeah. Let the introduction taper off so it's a— there's a slight separation. In case anything goes wrong, it gives me a chance to cut on one of the other introductions
We're rolling. Take 14

One, two, three, two, two . .